Zinc ☠ Carla's a Goner (
jemerite) wrote in
queenoflogs2011-07-17 01:06 pm
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i want you here (open)
Characters:
jemerite and You (open)
Date: July 17th
Summary: He can't do this to her.
Warnings: Zinc's world is vaguely offensive in its necrophilia? Her narrative can be kind of gory. She thinks about killing things, a lot.
She wakes up cold.
She's often cold, unless sitting in open sunlight, or curled up next to the heating unit that does a poor job of keeping Barbet's large studio warm in the wintertime. She hated the cold, really, it was a constant reminder of the stillness in her chest, but what she hated the most was waking up cold, like she'd been dead the whole night through. Barbet shouldn't have left her, she hates when he does and she usually wakes up as soon as he stirs because it's cold and it's lonely--(perhaps the loneliness is the worst. She... she hates that feeling, she wants to rip it out of her mind and ruin it forever.)
There is a moue of discontent on her lips already as she sits up, but it does not take her long to see things are very changed. And she knows exactly what's happened.
He's abandoned her. He'd drugged her and left her out here in the woods to die. The certainty of it rocks her, and causes a deep twisting sensation in her stomach. Hate. Hurt. Misery.
"Barbet?" She looks around herself, but all she sees is the cat approaching with the scroll in its mouth. Zinc hisses at it furiously, settled forward on her hands and knees like an angry little animal. The cat seems nonplussed, but it sits down, tail swishing. Zinc ignores it as she gets to her feet unsteadily, looking around again, sees only trees and she can't smell him anywhere. How is she meant to track him down and kill him if he's erased his scent?
"You can't!" She shouts, hands curling into fists, her well-kept nails biting into her palms with the fury of it. He would scold her for that. "You did this!"
She sees the path out of the clearing and begins to follow it, but what she sees only deepens her despair and that cat is following her. "I will eat you, if you do not get away from me," she snarls gutturally at the fluffy thing. Its eyes narrow at her, smug and nonreactive. She hisses, but carries on walking.
All she finds is forest and field. And, eventually, she drops down into the grass and simply begins to scream. Wordless, furious, keening. He can't do this to her. She can't even weep in this decaying body, and it's his fault that she has the desire to at all.
[ooc; I always write log openers in prose, but feel free to switch to action.]
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Date: July 17th
Summary: He can't do this to her.
Warnings: Zinc's world is vaguely offensive in its necrophilia? Her narrative can be kind of gory. She thinks about killing things, a lot.
She wakes up cold.
She's often cold, unless sitting in open sunlight, or curled up next to the heating unit that does a poor job of keeping Barbet's large studio warm in the wintertime. She hated the cold, really, it was a constant reminder of the stillness in her chest, but what she hated the most was waking up cold, like she'd been dead the whole night through. Barbet shouldn't have left her, she hates when he does and she usually wakes up as soon as he stirs because it's cold and it's lonely--(perhaps the loneliness is the worst. She... she hates that feeling, she wants to rip it out of her mind and ruin it forever.)
There is a moue of discontent on her lips already as she sits up, but it does not take her long to see things are very changed. And she knows exactly what's happened.
He's abandoned her. He'd drugged her and left her out here in the woods to die. The certainty of it rocks her, and causes a deep twisting sensation in her stomach. Hate. Hurt. Misery.
"Barbet?" She looks around herself, but all she sees is the cat approaching with the scroll in its mouth. Zinc hisses at it furiously, settled forward on her hands and knees like an angry little animal. The cat seems nonplussed, but it sits down, tail swishing. Zinc ignores it as she gets to her feet unsteadily, looking around again, sees only trees and she can't smell him anywhere. How is she meant to track him down and kill him if he's erased his scent?
"You can't!" She shouts, hands curling into fists, her well-kept nails biting into her palms with the fury of it. He would scold her for that. "You did this!"
She sees the path out of the clearing and begins to follow it, but what she sees only deepens her despair and that cat is following her. "I will eat you, if you do not get away from me," she snarls gutturally at the fluffy thing. Its eyes narrow at her, smug and nonreactive. She hisses, but carries on walking.
All she finds is forest and field. And, eventually, she drops down into the grass and simply begins to scream. Wordless, furious, keening. He can't do this to her. She can't even weep in this decaying body, and it's his fault that she has the desire to at all.
[ooc; I always write log openers in prose, but feel free to switch to action.]
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She dusts some grass and leaves off herself, looking down at the plain smock she's in. It's a bit uncomfortable to her. She doesn't usually show this much skin, she was a rather telling ashen color, and it made her too easy to touch. Her feet shouldn't be bare either, she'll damage them... She shifts restlessly in the grass, looking up at the woman.
"Who?" She asks curiously, wonders if there is meant to be some kind of connection to the man she lives with, if there's something she could understand there.
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"No one you would know. One might say he is my brother, if only as all persons of the same race are brothers." Is he her brother or not? It's hard to say. She'd said as much herself, poetically, but she'd meant to be cruel at the time. Did she deserve to call him brother? They share the same maker, but little else, it seems. "He is a very foolish person, who risks himself for others' sakes. I know he has not abandoned me, so why should it not be the same for you?" Perhaps the thought of him makes her slightly more inclined to say something kind, something helpful. She's noticed the woman looking herself over with dissatisfaction.
"Your clothing should be nearby, hidden among the greenery. It is usually so, though I cannot say why."
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In the back of her mind, Kuja's words continue to ring, however. He is a very foolish person, who risks himself for others' sakes. I know he has not abandoned me, so why should it not be the same for you? Barbet was not a foolish person, but he risked himself by keeping her. He worked on the toys, cleaned and restored and painted them, but it was different to let an untrained Reanimate lie next to him while he slept.
He wouldn't abandon her, but in thinking about all it is that he does, and all her risks, just fills her with loneliness. He isn't here. How is she going to get back to him? Her emotions are incredibly volatile, and the relief she had felt is swept away by hollowness; overwhelmed by the lack.
"My clothes..." she murmurs distractedly. Her steps are very slow, her balance and her muscle control are both imperfect, but she shuffles back in that direction.
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She watches the woman shambling. So slow! Kuja has little patience for dawdling, and she leaves the ground for the air and glides along beside the woman--and then ahead of her.
The clothes should be easy enough to find for a magician of her might, and so they are. She rises skyward until she has a fine view of all the ground below, and as she thought, it takes but a moment to spot the garments from above. She is not about to go and fetch them, so she levitates them instead and floats them over to the gradually approaching Zinc.
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She'll have to sit back down in order to kick her way back into her jeans, and she does so with very little care for whether or not Kuja is watching the ridiculous spectacle. She didn't let Barbet help her with it, she could dress herself thank you, even if she was occasionally willing to let him help her pull them off again. The rest is easier, and she feels better to be back in something familiar.
She still watches the with with an distrusting expression.
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She does not precisely watch Zinc dress, but she does not do anything as definite as look away, as she is indifferent to the matter. She doesn't offer to help or seem to pay attention to how trying the woman finds the task. Instead, she narrates, in a soft, careless tone.
"There are many of us here, all females--of a sort. Of various races, but most are human or humanlike in form." She counts herself among the latter. "You might be here but a day, or remain for a year and a day. There is no way of telling."
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On her feet, now protected in her shoes, and with her gray skin covered, she takes the time to look around herself a bit more attentively. There still is very little to see, but she adds in the information as Kuja relates it.
"Why?" She asks, she knows it is a simple, vague question, so she swallows and recenters herself to add, "For what purpose?"
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"She wishes to foster romance between us, as absurd as that sounds." As someone who has thus far been incapable of such feeling, she finds this particularly ridiculous.
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"I have... none to spare."
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"Nor do I, but as I mentioned, the Queen is mad. She gathers us up at random in the hopes that among these handfuls of threads, grasped by her flailing hands, perhaps a few can be woven together.
And why does she want this?" Kuja shrugs as she continues to levitate. "As with so many things here, none can say."
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"How many are like this?"
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Her smile is warm enough, but her eyes are cold. "None."
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"But what I refer to is my profession." She lands lightly on her feet, with another little bow. "I am a poet, and there are no others here."
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"No wonder." Artists were all ridiculous and talked too much, but they said the most interesting things, once one dug through all their bullshit. "Do they like your poetry, here?"
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Kuja considers the question. "I have not written any verses since I've arrived. I may, but I do not currently feel inspired." All quite true, if framed by what some might consider to be a lie. Kuja believes it to be true; she is a poet. Not a conventional one, to be sure, but poetry takes many forms, and there is nothing Kuja likes better than a metaphor. Even a poet herself may be a metaphor. "No matter, as I am frequently given to long periods of contemplation."
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"Write them," her tone might have the faintest hint of a challenge in it. Nothing quite like suggesting someone couldn't actually accomplish something to get them moving on it. "I will read them. Or just listen."
She'd like to know what came out of this one's mind, when she actually put it to concerted use.
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"Perhaps I will. I have only recently arrived." She doesn't respond to the challenge, precisely, though she notes it. She is quite accustomed to manipulation, but usually from the other side of things. "When my inspiration strikes, it is sudden and overwhelming and cannot be stopped, but it will not be rushed. To wait, to plan, to watch: these, too, are the duties of the artist." Perhaps she has not literally written a poem, but she has her process in place.
"I have other pursuits to occupy me. I wish to build a library. A gallery, perhaps, a theatre. There is not enough interest in the arts here. I shall make it more of a priority."
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"I would like it." She doesn't think her pleasure would affect Kuja at all, but it never hurts to offer an artist an audience. "To see all these things."
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"I will make beautiful things. That is what I wish to do. We may do as we like here, for the most part, and are left to our own devices, unless the Queen throws one of her tantrums. Some find it a pleasant place to live."
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"Maybe, but I can't be away," she protests with a frown. "I need... care."
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"You'll find no shortage of care here. So many helpful women with so little to do--why, it's more of a challenge to make them neglect you."
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"They can't." She fusses with her hair, tucking a few long strands behind her ear. Her hair was a perfect example, her body was dead and the strands delicate, they would grow dry and brittle and fall out without very exacting care. She couldn't wash it regularly, or she would destroy it.
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"I'm not human."
Perhaps it is easy to say to Kuja because the woman is so obviously other as well. She had been human, once, but... there was no pretending it. Her mind was different, her body and her heart. She recognized the other undead as her kin, and perhaps Barbet was only so successful in keeping her loyalty because he cared for the zombies that were brought into his studio. Zinc doesn't really know, thinking about it generally leads her into realms of brooding pain and confusion.
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